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Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup
Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup

Samson C02PR Pencil Condenser Microphone (Silver) & Amazon Basics XLR Cable (25ft, Black) - Professional Studio Recording, Live Performance, Podcasting, and PA System Setup

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Description

Rode Blimp Windshield and Rycote Shock Mount Suspension System for Shotgun MicrophonesThe RODE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2 and NTG3 microphones, as well as any third party shotgun microphone up to 325mm (12 3/4”) in length. Now featuring the Rycote Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimize the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or Dead Wombat fitted). The Blimp attaches to any standard boom pole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boom pole to reduce weight. The Dead Wombat windshield, caring brush and tail/patch cable are included.Rode DeadWombat Artificial Fur Microphone Wind Shield for BlimpThe Dead Wombat windshield is designed for minimizing wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimize wind noise while remaining acoustically transparent.

Features

    Product 1 Greatly reduces handling and wind noise

    Product 1 Accommodates most shotgun microphones 325mm in length and 19-22mm diameter

    Product 1 Rycote Lyre suspension system onboard with internal spacing guide

    Product 2 Designed for minimizing wind noise

    Product 2 Artificial fur is specially designed so as to minimize wind noise

    Product 2 Remains acoustically transparent

Reviews

******
- Verified Buyer
I was looking for a good pair of condensers to record guitar and cymbals without having to spend too much money right away, so I ordered these. They seemed like exactly what I needed. Eager to try them out, I first set them up to record my acoustic guitar. One aimed at the fingerboard, one aimed at the soundhole, I recorded in stereo and was amazed at the sound I got without even having to experiment any with my mic positioning. If you want to hear an example, search Robert Bassett Acoustic Guitar Recording Example on SoundCloud. I can't link to it in a review, but you should be able to find it easily. That recording I got is exactly the signal I got coming in, without doing any EQing or anything. The excess noise is due to the environment I recorded in, me breathing, and my laptop's crappy soundcard, not the microphones. You can hear the full range it picks up, and even the decent bass response. The closer I positioned the mic to the soundhole, the greater the bass response. I tried drums a few weeks later, and that was when I really fell in love. I had these guys set up over the drums to capture the cymbals and whole kit, as well as mics on the hi-hat, snare, and kick drum. After listening back to the sound I got, I realized how well the Samson's were picking up the kit on their own, so I ended up pulling out the mics on the hi-hat and snare, and just using a mic for the bass drum and the Samsons for the rest of the kit. The kit we recorded with didn't have the greatest cymbals on it but you couldn't tell that from the recordings we got. The Samson's made them sound crystal clear.Another few weeks later, I tried capturing a baby grand. I positioned the pair about 5 inches back from the hammers and 5 inches up from the strings, one aimed at the lower strings, one aimed at the higher strings recording in stereo again. The recordings I got were awesome, and their wide frequency response picked up each note beautifully throughout the full range of the piano. I just used another condenser five feet or so back from the piano to capture the room sound, and a little reverb of course, and I was more than pleased with the recordings I got from such an affordably priced pair of mics. I would have payed much much more for these.So basically, if you're looking for a matched pair of condensers for recording stereo, you really shouldn't look any further than these. For a little over a hundred bucks, they really took my recordings to the next level. Their wide frequency response makes them excellent for use in any application. And the carrying case they come in is really handy too. I didn't think I'd use it since I already have a case for my mics, but I ended up using it anyways since they fit so nice in it.Oh and no i'm not affiliated with Samson in any way, I just fell in love with these mics haha. Feel free to leave a comment if you have any questions, i'm not an expert or anything but i'll do my best to tell you my experiences i've had with them.
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